I'm going to try and get my thoughts in order regarding the amazing ending to In The Name Of The Doctor.
So, the Doctor goes by the name “The Doctor” because he helps people. In an ironic twist, an earlier episode showed us that medical doctors are called Doctors in honour of The Doctor. Anyway, I digress.
As we know, the Doctor regenerates. Somewhere down the line one of his regenerations did something bad. So evil that it wasn't “in the name of the Doctor”.
This regeneration has been shunned by the others, and doesn't use the name "Doctor".
So Matt Smith is still the 11th version to go by the name Doctor, but the 12th Regeneration.
Now, as we've seen all the regenerations bar one, there is only 2 explanations left:
1: John Hurt's Character was the original version, who then regenerated into William Hartnell, or
2: John Hurt is between McGann and Ecclestone (the only regeneration we haven't seen on screen)
If it's 1 then we can assume that whatever he did caused Hartnell to steal the TARDIS and run away from Gallifrey in the first place
If it's 2 then we can guess that maybe Hurt was responsible for ending the Time War.
In the episode "The Beast Below" (the second episode of the Smith Era), the Doctor runs through his options.
"Three options. One, I let the Star Whale continue in unendurable agony for hundreds more years. Two, I kill everyone on this ship. Three, I murder a beautiful, innocent creature as painlessly as I can. And then I find a new name 'cause I won't be The Doctor anymore."
So we at least have form for him knowing sometimes you have to make the hard choices...
I guess we'll have to wait till November 23rd to find out!
(And for those new viewers who didn't realise, 23rd November 1963 was the air date of the first episode - An UnEarthly Child)
Sunday, 19 May 2013
Tuesday, 14 May 2013
Orphan Black - New Series coming to BBC3
Imagine seeing yourself
one day. Not just someone who looks like you, but You. Except it's
not.
That's exactly what happens to Sarah, our streetwise Orphan hero in Orphan Black. Sarah finds another “her” and slowly a mystery unfolds.
Who is Beth? Why are
they the same? Are there any more?
Part thriller, part
comedy, part sci-fi (in the sense that it's fiction based on Science
– not flying spaceships or things). Orphan Black is coming to BBC 3
in the UK.
Despite having a great
cast it's not an ensemble production. The show belongs to the main
star – Tatiana Maslany. You've probably never heard of her before,
but by the end of the first episod alone I guarantee you won't forget
her! Each character is unique and distinctive from the others, and
what really shows is when one character is impersonating another.
They look the same (of course), but you can tell from the mannerisms
that it's x being y.
The mystery unfolds for
us viewers at the same pace as it does for Sarah, learning piece by
piece what's going on. Sometimes it can be frustrating; wanting to
know slightly more than we're told, but the nuggets of information
are placed before us to find.
Characters are
mentioned and introduced quickly, the return later on like old
friends stopping by on their way past. The supporting cast are great
with not a bad actor or actress among them.
The only one niggle I
have with the whole premise is how someone can impersonate someone
else so well that even work colleagues can't tell the difference.
That aside, the show has got me totally hooked, and I'm glad it's
already gained a second season!
You can follow Orphan Black on Twitter, at @OrphanBlack
You can follow Orphan Black on Twitter, at @OrphanBlack
Saturday, 5 January 2013
Flashpoint: A personal view of Shockwave.
There is a plot line running through season 4 of the TV show "Flashpoint", concerning the character of Spike (Sergio Di Zio), and his fathers illness.
Spike is a bomb disposal expert, and his father never liked his career choice. The father is now dying, and his dying wish is for his son to give up the dangerous job. Spike is continually torn between upholding the wish and his honor to himself. He worked hard to get where he is, and doesn't want to throw it all away.
Now, this story line brings up all manner of emotions for me. My father recently went through a similar life-threatening illness.
I'm fortunate that my father never asked me to stop doing what I'm doing, or had anything bad to say about my career choice.
However, the moments when Spike is with him, brings home to me what it was like to see my Father like that.
Real emotion. Raw emotion. That's what I get from watching this. It is (In my opinion anyway) perfectly written, perfectly directed - and most importantly, perfectly acted by Mr. Di Zio.
Spikes inability to do anything to help his father mirrors exactly what I myself felt.
The scenes are never the focus of the show, never important to the overall plot. But they are important to me.
The most recent episode (Shockwave) had a certain resonance with me. Sorry to get all personal all of a sudden, but my Father was hundreds of miles away, so I only spent a short time with him, and the feeling when I wasn't with him, I would have given anything to be back there. So when Spike was trapped, I was so caught up in the moment of the episode, I think i went through every emotion right there with Spike.
So, to the writers, directors, producers, showrunners - and most importantly of all, Sergio. I thank you. This is what proper story telling is all about.
Spike is a bomb disposal expert, and his father never liked his career choice. The father is now dying, and his dying wish is for his son to give up the dangerous job. Spike is continually torn between upholding the wish and his honor to himself. He worked hard to get where he is, and doesn't want to throw it all away.
Now, this story line brings up all manner of emotions for me. My father recently went through a similar life-threatening illness.
I'm fortunate that my father never asked me to stop doing what I'm doing, or had anything bad to say about my career choice.
However, the moments when Spike is with him, brings home to me what it was like to see my Father like that.
Real emotion. Raw emotion. That's what I get from watching this. It is (In my opinion anyway) perfectly written, perfectly directed - and most importantly, perfectly acted by Mr. Di Zio.
Spikes inability to do anything to help his father mirrors exactly what I myself felt.
The scenes are never the focus of the show, never important to the overall plot. But they are important to me.
The most recent episode (Shockwave) had a certain resonance with me. Sorry to get all personal all of a sudden, but my Father was hundreds of miles away, so I only spent a short time with him, and the feeling when I wasn't with him, I would have given anything to be back there. So when Spike was trapped, I was so caught up in the moment of the episode, I think i went through every emotion right there with Spike.
So, to the writers, directors, producers, showrunners - and most importantly of all, Sergio. I thank you. This is what proper story telling is all about.
Tuesday, 18 December 2012
Flashpoint DVD Episode Arrangement
Due to the way Flashpoint was aired in the US, the season box sets are different to the Canadian versions. While they will eventually release all the episodes, there is still some confusion over which episodes appear on which set.
| Episode name | Canadian | US | UK |
| Season 1 | Season 1 | Season 1 | |
| Scorpio | Episode 1 | Episode 1 | Episode 1 |
| First in Line | Episode 2 | Episode 2 | Episode 2 |
| Element of Surprise | Episode 3 | Episode 3 | Episode 3 |
| Asking for Flowers | Episode 4 | Episode 4 | Episode 4 |
| Who's George | Episode 5 | Episode 5 | Episode 5 |
| Attention Shoppers | Episode 6 | Episode 6 | Episode 6 |
| He Knows His Brother | Episode 7 | Episode 7 | Episode 7 |
| Never Kissed A Girl | Episode 8 | Episode 8 | Episode 8 |
| Planets Aligned | Episode 9 | Episode 9 | Episode 9 |
| Eagle Two | Episode 10 | Episode 10 | Episode 10 |
| Backwards Day | Episode 11 | Episode 11 | Episode 11 |
| Haunting the Barn | Episode 12 | Episode 12 | Episode 12 |
| Between Heartbeats | Episode 13 | Episode 13 | Episode 13 |
| Season 2 | Season 2 | ||
| Business as usual | Episode 1 | Episode 1 | |
| The Fortress | Episode 2 | Episode 2 | |
| Clean Hands | Episode 3 | Episode 3 | |
| Aisle 13 | Episode 4 | Episode 4 | |
| The Perfect Family | Episode 5 | Episode 5 | |
| Remote Control | Episode 6 | Episode 6 | |
| Perfect Storm | Episode 7 | Episode 7 | |
| Last Dance | Episode 8 | Episode 8 | |
| Exit Wounds | Episode 9 | Episode 9 | |
| Season 3 | |||
| One Wrong Move | Episode 10 | Episode 1 | |
| Never Let You Down | Episode 11 | Episode 2 | |
| Just A Man | Episode 12 | Episode 7 | |
| Custody | Episode 13 | Episode 4 | |
| Coming To You Live | Episode 14 | Episode 5 | |
| The Farm | Episode 15 | Episode 3 | |
| You Think You Know Someone | Episode 16 | Episode 10 | |
| The Good Citizen | Episode 17 | Episode 9 | |
| Behind the Blue Line | Episode 18 | Episode 6 | |
| Season 3 | |||
| Unconditional Love | Episode 1 | Episode 8 | |
| Severed Ties | Episode 2 | Episode 11 | |
| Follow the Leader | Episode 3 | Episode 12 | |
| Whatever It Takes | Episode 4 | Episode 13 | |
| The Other Lane | Episode 5 | Episode 14 | |
| Jumping At Shadows | Episode 6 | Episode 15 | |
| Acceptable Risk | Episode 7 | Episode 16 | |
| Season 4 | |||
| Collateral Damage | Episode 8 | Episode 1 | |
| Thicker Than Blood | Episode 9 | Episode 2 | |
| Terror | Episode 10 | Episode 3 | |
| No Promises | Episode 11 | Episode 4 | |
| I'd Do Anything | Episode 12 | Episode 5 | |
| Fault Lines | Episode 13 | Episode 6 | |
| Season 4 | |||
| Personal Effects | Episode 1 | Episode 7 | |
| Good Cop | Episode 2 | Episode 8 | |
| Run Jamie Run | Episode 3 | Episode 9 | |
| Through a Glass Darkly | Episode 4 | Episode 10 | |
| The Better Man | Episode 5 | Episode 11 | |
| A Day in the Life | Episode 6 | Episode 12 | |
| Shockwave | Episode 7 | Episode 13 | |
| Season 5 | |||
| The War Within | Episode 8 | Episode 8 | |
| Cost of Doing Business | Episode 9 | Episode 2 | |
| Wild Card | Episode 10 | Episode 3 | |
| New Life | Episode 11 | Episode 4 | |
| Grounded | Episode 12 | Episode 1 | |
| Call to Arms | Episode 13 | Episode 5 | |
| Team Player | Episode 14 | Episode 9 | |
| Day Game | Episode 15 | Episode 6 | |
| Blue on Blue | Episode 16 | Episode 7 | |
| Priority of Life | Episode 17 | Episode 10 | |
| Slow Burn | Episode 18 | Episode 11 | |
| Season 5 | |||
| Broken Peace | Episode 1 | ||
| No Kind Of Life | Episode 2 | ||
| Run To Me | Episode 3 | ||
| Eyes In | Episode 4 | ||
| Sons Of The Father | Episode 5 | ||
| A World Of Their Own | Episode 6 | ||
| Below The Surface | Episode 7 | ||
| Forget Oblivion | Episode 8 | ||
| We Take Care Of Our Own | Episode 9 | ||
| Lawmen | Episode 10 | ||
| Fit For Duty | Episode 11 | ||
| Keep The Peace (Part 1) | Episode 12 | ||
| Keep The Peace (Part 2) | Episode 13 |
Tuesday, 4 December 2012
Christmas Movies...
Following on from my Christmas Song musings, I started thinking about what makes the perfect Christmas movie.
Is it the need to take our main character to the very depths of despair, then have him rise up at the end, having possibly seen the error of his previous ways?
Is it the heart-melting scene near the end when the family is reunited, and love blossoms once more?
Is it the final shot of the snow falling while someone sings a Christmas Song?
If you're nodding along to all of these, and thinking of your own favourite Christmas film, I offer you a few words to break your spirit.
I've just described Die Hard!
Is it the need to take our main character to the very depths of despair, then have him rise up at the end, having possibly seen the error of his previous ways?
Is it the heart-melting scene near the end when the family is reunited, and love blossoms once more?
Is it the final shot of the snow falling while someone sings a Christmas Song?
If you're nodding along to all of these, and thinking of your own favourite Christmas film, I offer you a few words to break your spirit.
I've just described Die Hard!
Christmas Songs....
It's December, which means one thing.
Well alright, it means many things. But one of those many and too
numerous things to mention here is: Christmas Songs!
You know them, and either love them or
hate them. Everywhere you go in December, they follow you.
Supermarkets and shops have them
blasting out. The radio plays one every 20 minutes. People whistle
and hum them...
But, and here comes my rant of the
week, some of these songs aren't – to my way of thinking anyway –
real Christmas songs!
I've thought this way for a number of
years, but never really voiced it until now. This morning, my
favourite radio station played “Stay” by East-17 as a Christmas
song.
I had to put pen to paper (or at least,
finger to keyboard) and write a letter to the DJ (or at least, send a
tweet).
Adding some sleigh bells to a song (and
some thick coats and fake snow in the video) does not a Christmas
Song make.
This lead to a slightly heated debate
between me and the DJ about the validity of Christmas Songs.
Basically, she argued, it was Number 1 at Christmas time, therefore
is a Christmas song...
Using these rules we also have
applications for Mr. Blobby and Bob the Builder.
And Mad World must be the most
depressing Christmas Song!
Oh and let us not forget Rage Against
the Machine and the Theme to Grange Hil (No seriously, listen to the
bass line of Killing in the Name and tell me that's not a rip off of
the Grange Hill theme tune! I can actually SEE the sausage on a fork
whenever I hear the song!)
To me, Christmas doesn't start until
the Coca-cola lorry has been sighted, and the following songs have
had at least 2 plays on the radio: Slade, Wizzard and Shakin'
Stevens.
I shall end this by saying despite
being a HUGE fan of S-Club, Never Had a Dream Come True isn't a
Christmas Song either!
Wednesday, 17 October 2012
The 2012-2013 New Season of TV shows - Part 2
So, following on from my recent list of forthcoming pilots for the new TV season, (See here for more details) I thought I might run through a few of the ones I've seen and offer my verdict.
Now, to begin with I'l just emphasise that any I haven't watched/reviewed, doesn't mean I think they're rubbish. Simply that I haven't watched them. Life's too short to watch things I don't enjoy, then blog about how rubbish it is.
Sitcom:
I'll admit right away, we haven't watched any of the new shows in this category...
Now, to begin with I'l just emphasise that any I haven't watched/reviewed, doesn't mean I think they're rubbish. Simply that I haven't watched them. Life's too short to watch things I don't enjoy, then blog about how rubbish it is.
Sitcom:
I'll admit right away, we haven't watched any of the new shows in this category...
Drama:
Chicago Fire: The first episode was good, but not overly inspiring. To be perfectly honest, I'm not caring for any of the characters. And as far as i can tell the basic storyline of each episode will be "building is set on fire. Team rush to put it out." There is only so many things that they can set on fire in Chicago. We'll give it a couple more episodes to see if I'm wrong.
Elementary: I wanted to hate this. I wanted to come on here and rant in FULL CAPS (because that shows passion, and emphasis, you know) about how the "damn Americans" have screwed over a classic British character. But I can't, because - for reasons I can't figure out - it works! The show actually works! Jonny Lee Miller is good (he's no Benedict Cucumberpatch, but he's good). A female Watson is good. Just as long as the Powers That Be can keep ANY love interest away from the pairing then I can see this show running.
Last Resort: I think possibly my favourite new show so far. I'm really enjoying it (even if (and I'll admit this now) some of the politics are a little deep.) Great cast, and characters that I am starting to care about. Not sure how long the premise will actually hold up for though; there is only so many times the Captain can bluff Washington before they realise he's bluffing and he's forced to kill Americans (Which I'm thinking is a road the show creators don't want to go down).
Made in Jersey: I love Janet Montgomery, and I'll admit she was the only reason I wanted to watch this, but I had to turn it off after the first episode. It just wasn't working for me as a show (And it seems, nor for a lot of other people...)
Horror, Supernatural and Sci-Fi:
666 Park Avenue: Terry O'Quinn and Vanessa Williams are great. The main couple, not so great, but the show has a lot of promise. It's on the keep list for now, and we're hoping it'll turn into this years American Horror Story.
Arrow: This far exceeded my expectations of it, which is great! I was worried it would be Smallvillish, which while I've only seen 1 episode (and it still may turn that way), it doesn't appear to be headed in that direction. The plot arc was neatly laid out; the main characters motivations explained, and the hero given form.
Revolution: It's very stilted at the moment. Very "Let's market this to the Hunger games/Twilight audience"ish, but I'm still enjoying it. Aaron is clearly this years Hurley character - the everyman who can ask the stupid questions that the audience themselves are asking.
Well that's it for now. The ones missing from the list (as I said) I've either not watched, or they haven't aired yet.
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